The primary Stages Off-Broadway Oral history Project

Celebrating the visionaries who created New York's vibrant Off- and Off-Off-Broadway theater.

Elinor Renfield

Elinor Renfield

Director, Educator

Interviewed on: Thursday, May 9, 2019
Location: at Primary Stages
Interviewed by: Casey Childs
Interview #155
"I have always believed the key to the secret of the play was in how t it moved.....inner tempos....sense of space...expansive or the opposite. The language feels like stanzas within that movement. This is not my "method" it is simply how I like to get the cleanest truest story."
Elinor Renfield Highlights
Video Length: 7 Minutes, 14 Seconds
Elinor Renfield Interview
Video Length: 2 Hours, 17 Minutes

Elinor Renfield had a lengthy career as a stage director on Broadway and Off-Broadway and in Regional Theatre. Some of her Off-Broadway directing credits include: THE SORROWS OF FREDERICK (1976), S.W.A.K. (1977),  SHAY  (1978), BAG LADY (1979)SCENES FROM THE EVERYDAY LIFE (1980), CHUCKY’S HUNCH (1982), JOHNNY GOT HIS GUN (1982),  YOUNG  PLAYWRIGHTS FESTIVAL (1982), BUCK (1983), THE SEAGULL(1983), OPEN ADMISSIONS (1984), FAYEBIRD (1991),  PASSION PLAY (2001), ROSMERSHOLM  (2010), and A TREE GROWS IN BROOKLYN (2011). She has worked with numerous Off-Broadway theater companies in New York City such as Playwrights Horizons, Harold Clurman Theater, NYSF/The Public Theater, Circle Repertory Theatre, American Place Theatre, American Jewish Theatre, and more.

Born and raised in Manhattan, Elinor was one of three daughters of two educators. Near the end of elementary school she started taking dance classes with Martha Graham, a resident artist at the 92nd Street Y. She continued training with Graham through high school where she was accepted into  both the dance and theater programs,  and quickly realized she was not  fond of acting. She attended Emerson College in Boston as a drama major, later participating in a scholarship program for future directors and educators. She spent her junior year abroad in London where she fell in love with script analysis. A relative of her husband, Alan Schneider, was producing A Sign in Sidney Brustein’s Window on Broadway. Seeing Alan ‘s work sparked her interest in directing as a profession. In addition to her numerous Off-Broadway and Regional credits, she has directed two plays on Broadway: Open Admissions (1984) and The 24 Hour Plays 2006 (2006). Three shows she directed received Obie Awards: BAG LADY, CHUCKY’S HUNCH,JOHNNY GOT HIS GUN. In 1994, she was nominated for the Helen Hayes Award for Outstanding Director of a Resident Production for her work on PASSION PLAY (2001). She also received two NEA Grants for Development, one while she worked at The Guthrie Theatre in Minneapolis and the other during her time at The American Place Theatre.

Mentioned in Interview

JoAnne Akalaitis, Harold Clurman, Jeff Daniels, Ron Faber, Richard Frankel, Morgan Freeman, Martha Graham, Stanley Henderson, Shirley Lauro, John Macintosh, Susan Miller, Liza Minnelli, Joseph Papp, Austin Pendleton, Vera Roberts, Phillip Roth, Alan Schneider, Dan Seltzer, Andrei Serban, Tina Shepard, Dylan Thomas, Jean-Claude van Itallie, Lanford Wilson, American Jewish Theatre, American Place Theatre, Circle Repertory Theatre, Mabou Mines, Manhattan Theatre Club, Minetta Lane Theatre, NYSF/The Public Theater, Playwrights Horizons, Theatre for the New City, Women’s Project, BAG LADY, BUCK, CHUCKY’S HUNCH, FAYEBIRD, HOME FREE, JOHNNY GOT HIS GUN, OPEN ADMISSIONS, PASSION PLAY, ROsMERSHOLM, SCENES FROM THE EVERYDAY LIFE, THE SEAGULL, SHAY, S.W.A.K., THE SORROWS OF FREDERICK, A TREE GROWS IN BROOKLYN, YOUNG PLAYWRIGHTS FESTIVAL

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