Celebrating the visionaries who created New York's vibrant Off- and Off-Off-Broadway theater.
Advertising Executive, Preservationist, Founder of the 42nd Street Development Corporation
Interview #52
READ MORE >>"I was walking down the street, this garbage street…[Robert Moss] runs out of the office of [this building]...and says... ‘What are guys like you wearing a shirt and tie doing on a street like this?’ and I said ‘Well, we’re a group of people, we’d like to change all this.’"
Director of Plays and Musicals Development at the New York Shakespeare Festival/The Public Theater
Interview #55
READ MORE >>"This [was] a three-story building and Joe [Papp] was projecting five theaters to be created inside, all to do new American plays. Nobody else was thinking on this kind of scale."
Actor, Dancer, Musician, Writer, Performance Artist, Producer, Curator, The Club/La Mama
Interview #101
READ MORE >>"All of the people…I have worked with are perfectionists in their own right, and I’ve learned what virtuosity and rigor can be. In my own curation, I try to be as vigilant to virtuosity and rigor as much as I can."
"If a play was a success Off-Broadway, the rights to do it were as much as the Broadway plays...I fought that fight and won it."
"I was a very serious actress…for me it was a very huge and profound passion."
"We have gone beyond the absurd. We are absolutely ridiculous. Camp was made to unseat given notions of morals and culture and turn them on their heads."
"When artists stopped having to pay rent in theaters is when Off-Off-Broadway happened. Places that made their living by other means: coffee houses, bars, churches, book stores."
Founding Member Ma-Yi Theatre Group, Director, Playwright, Actor
Interview #89
READ MORE >>"The key thing here is, I got to connect this idea of theatre as a social instrument, of engaging people in conversation and getting them to mobilize, getting them to act…we were out to shatter this audience-spectator relationship. It was never a passive thing…and we did it with no money."
"The flexibility of Off-Broadway has just been true from the moment I first became involved with it."
"We're going to have to have support for the arts by the government again. I think if that happened we might have those companies again."
General Manager, Producer, Actor, Author - STAGES: A Theater Memoir
Interview #25
READ MORE >>"My favorite time of my life (sic) were all of my Off-Broadway years…whether we had a hit or a flop, the process was exhilarating and full of surprises."
"For the first time I saw a company get together and become their characters through their costumes and look at one another and see how everybody else was becoming their character… it was one character speaking to another…it was like Christmas…a revelation..I was hooked."
Director, Composer, Translator, Founder, Sante Fe Ensemble
Interview #149
READ MORE >>"All I care about is the play… if your idea is better than mine, we’ll do yours. It’s the play that counts."
"The rules of drama….if you play action, you have a million choices."
Actor, Playwright, Producer, Writer, Editor Co-Founder, Primary Stages, Editorial Director — Educational Division, Scholastic Inc.
Interview #163
READ MORE >>"“…You fall in love with these plays…you really want them to have a life, you want everyone to love them as much as you do. You want your cast and your playwright to hear the recognition and appreciation."
"I found myself in the Off-Off-Broadway world where text was sound and body, where there was no he-said, she-said monologue or anything… Text was grunting and moving and Grotowski and Peter Brook… That was my theatrical upbringing; I didn’t know text.”…“I feel like it’s almost time to do theater in the apartments again, that it’s time to just let people line up outside your door and do something right there..."
"I have always believed the key to the secret of the play was in how t it moved.....inner tempos....sense of space...expansive or the opposite. The language feels like stanzas within that movement. This is not my "method" it is simply how I like to get the cleanest truest story."
"Theater is alive and well in Off-Broadway, and Off-Off-Broadway. The theater, when you go back to Shakespeare, used to be for the people. Off-Off-Broadway is for the people, not for the wealthy. I don’t know how people can afford to go to the theater now. A hundred bucks is the going rate."
"Kevin O’Connor and I were always the first ones waiting for Dr. Herbert Blau…I was really fascinated by his kind of wild avant-garde theater…I was attracted to it, for some reason."
Director, Choreographer, Writer, Actor, Singer, Founder Thirty Saints Music Licensing and Thirty Saints Productions
Interview #195
READ MORE >>"I think the Off and Off-Off-Broadway movement is what is coming to a head today…pushing the envelope and opening the door to all kinds of stage performances. It’s an extension of what we were doing off and off-off Broadway."
"We exist in a multi-lingual environment so that any language is welcome…the sense of diversity is life practice…that is assumed…it is about all of us, our multicultural family."
Actress, Producer, Director and Founder of the Joseph Jefferson Theatre Company (JJTC), Bishop
Interview #209
READ MORE >>"In the church we talk about “call.” Everybody has a call of one sort or another—that thing in your heart that you’re really drawn to do with your life. For me it was acting. I thought I was going to be an actress my whole life. To my surprise, The Joseph Jefferson Theatre Company situated in Church of the Transfiguration became the bridge and catalyst to another calling, but I will never forget my sixteen years in the theater. Live theater is a great humanizing force for which there is no substitute."
"Low self esteem is always an audience pleaser…and building a family. Those two things are crucial in musical theater."
"I love Off-Broadway for the experience that both the actors and the audiences share in an intimate space. Off-Broadway is where you have the freedom to champion new voices, support emerging creative talent, and explore a wide range of ideas and stories."
"I suddenly realized how easy it was to get into that world…all you had to do was do your work, laugh at the right time, and that the theatre was very democratic."
"I thought, well, if I’m going to do this thing, I’m going to really do it. Maybe it’s better if I don’t know anything about setting up a foundation. We can just do our own [thing]. And that’s how it all started. I just kept going to shows."
Director, Producer, Artistic Director, Producing Artistic Director, PS 122, Under The Radar/The Public
Interview #191
READ MORE >>"I felt like that community (dance) needed me. At that time dancers were trying to talk, tell their stories…the beginning of the crossover between dance and performance art …and I could say, ‘you know, if you hold your head still they will understand what you’re saying."
"I always wanted to be the best director, not the best woman director…You learn as much about the play and it’s world as you can. Then you jump off a cliff with your collaborators.……then you finally land. Hopefully."
"The whole Off-Broadway scene was all - it was a real scene. The nightlife in the Village was so active between the clubs, the cabarets, the jazz, the theater; it was very vibrant and very alive. And I felt that this is great, I’ve really made it now, it doesn’t get any better than this."
Founder of The Performance Group, Author, Director, Playwright, Professor
Interview #57
READ MORE >>"I feel that theatre, rather than wresting permanence from the remorseless rush of time, surfs across life to discover how the waves of time, space, and individual and social lives continuously reshape experiences and knowledge."
"You don’t have to be on Broadway. You can do these shows much more inexpensively and make as much, and even more, Off-Broadway. --- You’re the camera in the theatre. You’re not the camera in the movie or television, the director is telling you what you are watching. But you watch what you want in the theatre."
"You’ve got to find the internal connections that you make to this role if you’re going to touch me sitting out there in the audience, and move me, and convince me that I’m watching a real person up there."
"Yeah…so you just throw yourself into it and just do it. Sometimes people limit themselves and say, ‘I can’t do something,’…I say yes I’ll do it. I survived. Put one foot in front of the other and keep working…’Oz is sorta a wild card in a lotta ways.’ "
"I think there’s an energy coming up that’s gonna be amazing."
"As far as Off-Broadway…I want to see real people in intimate theater. That’s going to satisfy me."
"It was very different in the 50's. There was a lot of new live television. Lots of plays, Broadway plays, lots."
"I am far from an independent producer. I’m a codependent producer."
"In theater, you are what you're doing in the moment"
Co-Founder of the Impossible Ragtime Theater (IRT), Artistic Director, Actor, Director, Author
Interview #108
READ MORE >>"American theater is way, way ahead of itself because it had Off-Off-Broadway."
"[Charles Ludlam] came to watch me make up, and I had a black eye, it was self-induced … I was trying to erase the black eye and he said, ‘No! Put black on it, make it darker … I think we’re gonna call you Black-Eyed Susan’"
Casting Director and Artistic Producer of NYSF/The Public
Interview #43
READ MORE >>"You have to have a cast that looks like New York."
"So, my job was to look to critique the dancers. As I say, I looked at the bigger picture and that was light and I fell in love with it and I've been in love with it ever since."
Actor, Designer, Writer, Translator, Member of The Living Theatre
Interview #123
READ MORE >>"There was hardly ever a dull moment in The Living Theatre."